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The Speech Heard 'Round the World - 1860 - The six-foot-four midwestemer cook the fert from New Jersey and loped up Broadway to his lodging at the Astor House across from City Hall. He was in town to deliver a speech, the venue for which had been shifted to Cooper Union from Plymouth Church in leafy Brooklyn Heights. He boarded another ferry for the obligatory visit to hear Henry Ward Beecher deliver his Sunday sermon there. He also dropped by City Hall, a den of Southern sympathy and pro-cotton lobbyists, anti-abolitionism, and talk of secession by the nation's largest city. On Monday, February 27, 1860, before delivering his first speech in the east- a speech that would transform him from a regional phenomenon into a national political figure- he bought a new top hat from Knox at Fulton Street and dropped by Mathew Brady's temporary studio at Bleecker Street to sit for (actually, he was photographed standing up, to reflect his full stature) a likeness that would introduce him to the nation in a first political portrait.In the annals of American political oratory, few speeches rival Abraham Lincoln's presidential audition at Cooper Union that night in eloquence and impact. The hall sat eighteen hundred and was only three-quarters filled, but the speech, in which the fifty-one-year-old Lincoln contrarily declared that "right makes might," would be reprinted and disseminated to every corner of the country. Lincoln's goal was twofold: to unequivocally denounce slavery and to improve his party's odds in the 1860 presidential campaign. He managed to win the plaudits of New York's Republican newspapers and outflank the state's favorite son. William H. Seward, for the nomination later that year (he also collected an impressive two-hundred-dollar fee). His performance would blunt expected Democratic margins in the city sufficiently to deliver New York State and its trove of electoral votes to Lincoln that November. (With typical understatement, he wrote his wife a few days after the speech that it "went off passably well.")Organizers of the speech were competing with other offerings that night, including a performance by Jenny Lind, P. T. Barnum's "Swedish Nightingale," at the Winter Garden. The Cooper Union tickets were twenty-five cents, and apparently, only one survives. It was bought at auction in 2005 by Edward Gillette, a Kansas City, Kansas, criminal defense and personal injury lawyer whose great-great-grand-father served as a Union officer during the Civil War.Cooper Union would figure twice more in Lincoln what-ifs. According to some uncorroborated accounts, the morning after his speech, Erastus Corning, a director of the New York Central, offered Lincoln an astounding ten thousand dollars a year to be the railroad's lawyer. "If Lincoln had accepted his offer," Edward Hungerford wrote in Men and Iron, "he unquestionably would have declined the presidency of the United States."Twice more he was invited to speak at Cooper Union but declined. The last time was at an April 11, 1865, meeting to commemorate the attack on Fort Sumter. Had he attended, he probably would have been unable to return to Washington in time for the Good Friday performance at Ford's Theatre that ended his life."Cooper Union was not just a speech," Harold Holzer, a Lincoln scholar, wrote. "It was a conquest--a public relations triumph, a political coup d'état within the Republican party, and an image transfiguration abetted by the press and illustrated by the most felicitous photo opportunity in American history.TEXT FROM SAM ROBERTS 101 OBJECTS

April 14th,2025

Consider the world outside a museum. Imagine that the world that we live in is really another kind of museum where the works of art exist in the landscape itself. What if you could have a gallery guide which would tell you about the buildings and artworks you find around you. It would show you what the place used to look like and introduce you to some of the people who shaped it.

Our growing virtual collection of photographs and drawings, maps and documents, podcasts and videos tell the stories of how some of the more iconic places in our cities got to be the way they are and what they might become.

Explore buildings of the past, present and future. Look at the vast selection of artwork that graces the public realm. And discover how places have evolved over time. Deconstruct the layers of history that form the fabric of our urban landscape. Meet people who have made their mark on our cities and country who have lived in the past or are living now. Listen to their voices. Take (or make) a tour. And join us at an event either virtual or real.

Our curators are the artists, architects, photographers and historians who created the images, podcasts and videos to share their knowledge and insights. Our collaborators are museums, universities, cities, and civic organizations who are the stewards of our shared cultural history.

Use the guide online or take it with you on your phone…..

Like the cities we live in, this is a work in progress….. Enjoy!   

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