 The planning of the embassy by Edward Durell Stone began in the early 1950s and the complex includes the Chancery, the Roosevelt House (official residence of the U.S. Ambassador), office space and living accommodations and is located in New Delhi. The cornerstone of the structure was laid by Chief Justice of the United States Earl Warren on September 1, 1956. The building was estimated to cost $2,000,000 and replaced the former Maharajah's palace where the American embassy was previously housed. The Embassy was formally opened on January 5, 1959, in the presence of Indian Prime Minister Jawaharlal Nehru. 

 Weiss/Manfredi has been commissioned by the Department of State to re-envision the iconic embassy compound in New Delhi, India. The new design restores the early modernist Chancery Building and recasts the 28-acre embassy compound into a multi-functional campus. The project includes a new office building, a support annex, and a transformed landscape that will provide a secure campus for America's growing mission to India. A new tree-lined central green offers shade, connects functional zones across the campus, and introduces reciprocal relationships between the buildings and gardens. Inspired by India's enduring tradition of weaving together architecture and landscape, a series of cast stone screens, canopies, and garden walls introduce a resilient integrated design language that brings the campus into the twenty-first century. Nearly sixty years after the opening of the Edward Durell Stone-designed embassy, the rejuvenated embassy compound expresses the symbolic values of American diplomacy through environmental stewardship and gives measure to America's democratic presence in India. 

US Embassy in India

Goodwin's inclination towards the traditional Beaux-Arts style and Stone's more modern approach came together to create a building of six stories made of sleek white marble and a type of insulated glass called Thermolux. This glass helped in diffusing the light in the galleries of the museum.The building stands true to its vision of popularising and democratizing modern art, with modern and contemporary architecture styles blending together with international styles. The sculpture garden of the museum was designed by the MoMA director Alfred H. Barr Jr. and MoMA architecture curator John McAndrew.

In the late 1990s, Yoshio Taniguchi, a popular Japanese architect, submitted his design for renovating MoMA architecture. After its completion in 2004, it was reopened to the public on its 75th birthday.Taniguchi added granite and glass facades to the entrance of the MoMA museum. He added minimal solutions to the museum’s design while maintaining its modernist roots. Yoshio restored the International style building and enlarged the Sculpture Garden. The architect achieved a minimal aesthetic look with the help of precision. Glass panes were added that surrounded the Sculpture Garden and the curtains walls were detached from the floors to ensure that the glass doesn’t deflect when there are lots of visitors. Taniguchi’s design made the garden the focus while the other buildings acted as the side characters. His design allowed visitors to enjoy NYC’s streets and skyline as they passed through the galleries. Several windows in the galleries and the stairways allow the visitors a look outside. Visitors would find contemporary works on the ground floor and older artworks on the higher floors. A huge sky-lit space for temporary exhibitions was made available on the top floor. An atrium was also added that connects the lobby to the Sculpture Garden. KPF was executive architect for this restoration, renovation and expansion, which included work on the MoMA’s galleries, east wing and education building. KPF restored the original curved canopy and courtyard, added theater, library, and office spaces, and increased the exhibition area by 30%.

A two-phased renovation, the first part involved the MoMA architecture and new walls whereas the second part focused on the new art that is getting installed on those new walls.

Museum of Modern Art (MoMA)

Barry Bergdoll, Phillip Johnson Chief Curator of Architecture and Design at MoMA talks about the intellectual origins of the museum building and the development of the sculpture garden. 

Harry S. Black, owner of the Plaza, bought the Savoy Hotel, consolidated the block, and demolished it to commission a newer companion to the older establishment from the architects of the Plaza. The 33-story, 420-foot skyscraper Savoy-Plaza Hotel was designed by McKim, Mead &amp; White, built at a cost of $30 million, and opened on October 1, 1927.

Hilton Hotels acquired the hotel in January 1957 through an exchange of stock with Savoy-Plaza, Inc. On December 31, 1958, the full merger of Savoy-Plaza, Inc. and Hilton Hotels Corporation became effective, and the hotel was renamed the Savoy Hilton.

Hilton sold the hotel to Webb &amp; Knapp, Inc. in May 1962, for $25 million. who resold a two-thirds interest to British Commercial Property Investments and a one-third interest to London Merchant Securities. Western International Hotels assumed management on June 2, 1964, renaming the property The Savoy Plaza, without the original hyphen.

The owners announced plans for the hotel's demolition on August 21, 1964, leading to a significant public outcry and protests. On December 16, 1964, the owners announced that the hotel would be replaced by a 48-story office tower, designed by Edward Durell Stone to house the Eastern headquarters of General Motors.&nbsp;The hotel remained open through the 1964 New York World's Fair, finally closing in October 1965. It was demolished in late 1965 and early 1966 and replaced with the General Motors Building, completed in 1968.

Savoy Plaza Hotel

Designed the 48-story office tower to house the Eastern headquarters of General Motors which replaced the Savoy Plaza Hotel.

Museum of Arts and Design

Edward Durell Stone (1902-1978) was an American architect known for his formal and highly decorative buildings, especially in the 1950s and 1960s. He was born in Fayetteville, Arkansas, and studied at the University of Arkansas, Harvard, and MIT.Some of his notable works include the Museum of Modern Art (MoMA) in New York City, the John F. Kennedy Center for the Performing Arts in Washington, D.C., and the U.S. Embassy in New Delhi, India. Stone's designs often featured a blend of modernism and classical elements, making his work distinctive and influential.

Edward Durell Stone

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