culture now
Photo © Lawrence Anderson
site of the Day
Habitat825 - 2007 - Habitat825 addresses critical issues of density and boundaries, presenting new forms that cater to contemporary city living. Acknowledging and engaging Rudolph Schindler’s adjacent landmark house on Kings Road, LOHA reinterprets Schindler’s explorations of light, material, color, and common space for today’s urban inhabitant. Habitat825 presented an opportunity to consider the cultural and social impacts of building adjacent to a historic site. Built in 1922 on expansive land, the Schindler House is considered the first Modern residence, incorporating new ideals of common and engaging space. Its two woven “L” forms comprise two separate family apartments, and its permeable walls and shared cooperative courtyard set precedents for Southern California multi-unit housing. Measures were taken to preserve the Schindler House’s relationship with its landscape. Habitat825’s section fluctuates in height to avoid casting direct shadows and its plan bends inward to open up along the bordering property line to allow breathing room. Habitat825 joins the many multi-story apartment buildings that now surround the Schindler House on urban infill lots. The building’s green façade, a nod to Schindler’s consideration toward natural contexts and color, creates a distinct mark that enlivens the streetscape. Habitat825’s own interlinked “L” masses promote a brand of integrated living that follows in the same vein set by Schindler over 80 years ago. Internally, a loose central courtyard is bound by weaved circulation. Walkways open and constrict, encouraging impromptu interactions. Habitat825’s 19 units all open to this common space and landscaping, rather than “hard” boundaries, delineates private area set within the common courtyard. The pushed-back front façade promotes a semi-public zone that offers benches between the building and the street. The building cultivates an agenda for urban community both within and beyond its walls.
culture now
Photo © Lawrence Anderson
site of the Day
Grupo Gallegos Creative Headquarters - 2010 - A non-traditional workplace, the Grupo Gallegos headquarters supports a creative organization’s unique culture. LOHA resourcefully dials into a contextual economy of means, repurposing the everyday beach umbrella as a functional element that creatively distinguishes and enhances the aesthetic of the office. The design incorporates programming beyond the scope of the typical workplace thus providing an environment that feels as much like an office as it does a community hub. Grupo Gallegos is a marketing communications company best known for delivering award-winning campaigns to the Spanish-speaking market. Sited by the Huntington Beach Pier in the official Surf City of the nation, the client brief called upon LOHA to convert an existing cinema into offices incorporating elements of both coastal and Hispanic life. The resulting spaces are a colorful setting for the workplace community’s relaxed social culture. Conference rooms hover over an open office space, embodying the integrated and layered character of operational flow in the organization. The protruding chambers double as billboards; as their louvered facades are pulled shut, the emblazoned Spanish word ‘ocupado’ is formed to affirm the room’s use. A grand staircase converts into amphitheater seating for events and presentations. The facilities also include a gym, basketball court, and juice bar. As an artistic gesture to further brighten the workplace, over 300 custom sunbrellas hang over the workplace, alluding to both the beach and the umbrellas of photography shoots. The white umbrellas, fire-proofed in LOHA’s workshop studio, are used to reflect light and conceal fire protection.
culture now
Photo © Lawrence Anderson
site of the Day
Cloverdale749 - 2013 - This project’s design was informed by parameters derived from a driven market rate strategy that strove to maximize FAR, challenging the architect to celebrate the completeness of the structure’s volume while introducing compelling nuances inside, within, and beyond the building’s envelope. The building is a study in both simplicity and complexity through its use of a white perforated skin. While its whiteness expresses an optimistic clarity, the ridged metal façade becomes an intricately choreographed display of transformable layers. Dependent on viewing and lighting angles, the sheathing reveals and conceals patios and interiors. As the building’s vertical ribbing catches the sun throughout the day, a play of light and shadow occurs. A blurring of interior and exterior spaces is integral to the design of this project. Circulation is pushed to the exterior, eliminating the need for inner hallways. Private open balconies front the street and are articulated by the building’s skin while the rooftop offers patios and roof-decks. The perforated building surface filters a sense of openness into private zones and dilutes the light that enters through clerestories and expansive glazing. Units span multiple floors, and spaces features a complex system of connectivity be it achieved through inner circulation or the spiral stair that extends through balconies and to the roof. From the inside, the large openings frame vistas of the building’s Miracle Mile context and beyond.
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