culture now
Photo © Silverstein Properties
site of the Day
World Trade Center Site - After 9/11, there were several years of public debate, as New Yorkers worked to figure out how best to rebuild the World Trade Center site. It was necessary to take some time to develop a plan that reconciled the various constituencies` individual goals. In August 2002 The Lower Manhattan Development Corporation (LMDC) announced a competition for a master plan. Studio Daniel Libeskind design was selected in February 2003. The fourteen-acre WTC site will contain, in addition to the Memorial and the Museum, a Visitor Orientation Center, a new PATH train station, a Subway station, an underground retail concourse, an underground road network with security screening areas, five new office towers, and a Performing Arts Center. The WTC Masterplan serves as both the conceptual basis and the technical foundation for the entire complex re-development of ground zero. The Masterplan defines the spirit of the approach to re-building and creates a meaningful conceptual framework for the site. It also defines the spatial organization of all elements of the development within the site with an emphasis on the human experience and the public realm.The Masterplan dictates the location and massing of each program element, building height and relative size, as well as proximity and relationship to one another. The WTC Masterplan also supplies the framework for the site`s infrastructure, transportation, sustainability standards and security strategy and lays out the functional relationship between all the site elements with respect to the surrounding context of the immediate neighbourhoods and the surrounding city.
culture now
Photo © Maki and Associates
site of the Day
4 World Trade Center - 2013 - 4 World Trade Center belongs to a collective group of buildings founded on the redevelopment master plan by Studio Daniel Libeskind known as “Memory Foundations.” It is the first completed building on the original 16-acre World Trade center site and is the fourth of five skyscrapers intended to form a spiral composition of stepping buildings encircling the National September 11 Memorial Park. Provided a corner site, the project occupies is a full city block bounded by Greenwich, Church, Cortland and Liberty Streets and is adjacent two parks in a rare privileged setting within Manhattan. The building is prominently staged onto the Memorial Park on the west and faces Zucotti Park on the south-east corner becoming a portal to Wall Street and Lower Manhattan. The 72-storey building reaches a height of 977 feet (298 meters) and contains 2.3 million square feet (213,700 square meters) of office and retail space. The offices comprise 56-floors in two distinctly configured floor plates in three vertical sections. The larger of the two in the low and mid-rise sections is 44,000 square feet in the shape of a parallelogram echoing the configuration of the site. The high-rise section is 32,000 square feet in the shape of a trapezoid that gives the building a triangulated sculptural effect that is chiseled at the top. The form achieves a sense of a rotational pivot at the corner to contribute to its role in the formal composition of the master plan. The tower is designed to create a strong sculptural effect with a quiet presence. Seen from a distance, it can be identified as a minimalistic sculpture with its angular profile that distinguishes itself in the skyline. The building is clad in colorless silver glass that dynamically changes appearance depending upon the time of day, weather and light. It transforms itself from a distinct sculptural object to one that blends and becomes a part of the sky with a glazed and metallic materiality. Each of the 11,000 structurally glazed curtain wall units are detailed with a single lite of insulated glass that is 5` wide by 13`-6” high concealing the spandrel section at the floor / ceiling cavity via a horizontal touch mullion to enable the tower to express a highly abstract quality. To the contrary, the building reveals itself as a piece of architecture through space, tactile materials, their colors and refined details upon closer approach. Upon arriving at the base of the tower, one is unable to discern the large building as a complete entity. Unlike pure sculpture, the building clearly establishes a sense of place that is not only visual but one that is felt through rich spatial experiences.
culture now
Photo © Rogers Stirk Harbour + Partners
site of the Day
3 World Trade Center - 2018 - The present building is located at the heart of the revitalised World Trade Center site in New York. The brief called for the design of a new commercial skyscraper to deliver a total of 2.5million sq ft (above ground area) designed within the guidelines of the previously developed Studio Libeskind masterplan for the site. The brief for 3 World Trade Center outlined the building’s function as the site’s commercial core and aimed to address the issue of balancing retail and office space, while also complementing and acknowledging the WTC Memorial. Tower 3 has an orthogonal relationship to the main space between the Memorial water pools and to further complement this relationship, the central zone of the building reduces in mass as it rises towards the sky. The effect is a stepped profile which accentuates the building’s verticality, relative to the memorial site and is sympathetic to the height and position of the neighbouring buildings. The design includes five trading floors, 53 office floors (totalling 2.5 million sq ft (232,255 m²)) of above ground area, five retail levels, and eight mechanical floors which serve trading and office floors, 44 passenger lifts and two principal stairwells. The lower section of Tower 3 – the ‘podium building’ – contains the tower’s retail element and the trading floors, and the upper levels hold the office space. The streetscape is activated by retail façades enabling free-flowing movement of shoppers between five levels of retail, three above ground and two below, served by two lifts and four stairwells. To maximise sustainability in terms of the building’s day-to-day functioning, similar ‘green design’ features as those included in the design of 7 World Trade Center have been incorporated. The design team ensured energy use and costs were significantly reduced compared to typical Manhattan office buildings, and has achieved ‘Gold’ Certification for Leadership in Energy and Environmental Design from the U.S. Green Buildings Council.
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