It closed the same night, losing $650,000.
In discussing La Strada's problems, Steven Suskin wrote that Bart apparently did not go to the United States to assist during rehearsals, and neither the director nor the choreographers had previously done a Broadway musical. Peters confirmed that Bart never worked on the show in New York: “The script really wasn't ready, and Lionel Bart was never coming over. Marty Charnin and his partner at the time [Lawrence] rewrote it.” Ken Mandelbaum wrote about La Strada in his book, Not Since Carrie: Forty Years of Broadway Flops. During try-outs, Vincent Beck as Zampano, the strongman, was replaced. All but three of the original songs from the concept album were replaced. Furthermore, "it followed a relentlessly bleak, tragic screenplay, [and] it emerged as one of the most depressing musicals ever. ... Bernadette Peters, in her first Broadway lead, did not let the show down. ... The score was not bad, particularly Peters' haunting opening "Seagull, Starfish, Pebble", written by Lawrence and Charnin".