The Seagram Building is recognized as one of the world's great architectural masterpieces. The distinctive landmark building was commissioned in 1958 by the Seagram Company. Clad in 1500 tons of bronze, it was noted for the metal vertical columns affixed the the curtain wall to express structure. Window shades operated in only 3 positions. Its plaza caused the NY City Zoning ordinance to be changed in 1961 to allow ten additional square feet of interior space for each square foot of street-level open space. With that provision, plazas soon appeared at office building sites throughout the city. The New York Times heralded the Seagram Building as "the millennium's most important building."Charles Bronfman had made his fortune in bootlegging and had a dubious reputation which he was anxious to redeem. So he bought the block on 53rd Street. He actually commissioned Charles Luckman to do a design. His daughter was travelling in Italy at the time; he sent it to her and she wrote back 'NO NO NO NO'. She took on the role of hiring the architect. She ended up hiring Ludwig Mies van der Rohe and Philip Johnson, then Architecture Curator at the new Museum of Modern Art. The building's elegant simplicity juxtaposed against its constructional rigor embodies Mies van der Rohe's famed dictum "less is more" and personifies modern architecture.
The Seagram is an iconic example of the International Style
It is one of the most notable examples of the functionalist aesthetic and a prominent instance of corporate modern architecture
A glass curtain wall with vertical mullions of bronze and horizontal spandrels made of Muntz metal form the building's exterior
Completed in 1958, it initially served as the headquarters of the Seagram Company
The pink granite plaza facing Park Avenue contains two fountains
The upper stories contain office spaces of modular construction
The Seagram Building was the first office building in the world to use extruded bronze on a facade
The building was also the first New York City skyscraper with full-height plate glass windows
The first-story walls behind the arcade contain full-height glass panes
The plaza is raised slightly above sidewalk level on Park Avenue, with three steps leading from the center of the Park Avenue frontage
Behind the plaza is a tall elevator lobby with a similar design to the plaza
The lowest stories originally contained the Four Seasons and Brasserie restaurants, which were replaced respectively by the Grill and Pool restaurant and the Lobster Club