culture now
Photo © Library of Congress (LOC)
site of the Day
How the New York Public Library Began - 1895 - In the 1930s, Mayor Fiorello H. La Guardia dulbed the twin marble tons guarding the New York Public Library on Fifth Avenue Patience and Fortitude. By any standard they would qualify as emblematic of a great cultural resource. But Michael Miscione, the Manhattan borough historian, has suggested something less photogenic but more transformative: Samuel J. Tilden's will. His bequest to establish and maintain a free public library in the city served, Miscione says, “to solidify the city's commitment to literacy, culture and a public-private partnership that enabled New York City to create so many world-class cultural institutions.”Tilden, the son of a patent medicine manufacturer, was a successful corporate lawyer, shrewd investor, political reformer, and anti-slavery Free Soil Democrat who would battle the abuses of Tammany Hall. He was elected governor of New York and in the disputed 1876 presidential campaign against Rutherford B. Hayes won a majority of the popular vote but lost the Electoral College (by one vote). "I can retire to public life." Tilden said, “with the consciousness that I shall receive from posterity the credit of having been elected to the highest position in the gift of the people, without any of the cares and responsibilities of the office.”New York had lots of libraries at the end of the nineteenth century, but most charged admission and were privately funded. Tilden left about $2.4 million (almost $100 million in today's dollars), the bulk of his fortune, to "establish and maintain a free library and reading room in the city of New York." The Tilden Trust was merged with the Astor (founded by John Jacob Astor, from his furtrading fortune and presided over by Washington Irving) and Lenox (founded by the bibliophile James Lenox) libraries in 1895 to form the New York Public Library. The consolidation- orchestrated by John Bigelow, a lawyer for the Tilden Trust-was hailed, according to the library's official history, as "an unprecedented example of private philanthropy for the public good." Six years later, Andrew Carnegie agreed to donate more than $5 million to establish sixty-five branch libraries under the proviso that they be maintained by the city government. (Brooklyn and Queens are served by separate library systems.)The New York Public Library's $9 million central research library, designed by Carrère and Hastings, opened in 1911 at Fifth Avenue and West Forty-Second Street on the site of the old Croton Distributing Reservoir. At the time, the beaux arts building was the largest marble structure in the United States. The original collection contained more than a million volumes; today it includes more than fifty million books and other items stored on-site, in stacks under Bryant Park and in a warehouse in Princeton, New Jersey. The New York Public is the second-largest public library in the United States (after the Library of Congress) and the world's third-largest. The central research branch has been featured in numerous films, notably Breakfast at Tiffany's, You're a Big Boy Now, and Ghostbusters, and in books, including The Rise of David Levinsky. Tilden never lost faith. Referring to his 1876 defeat, his epitaph reads: “I Still Trust in The People.”TEXT FROM SAM ROBERTS 101 OBJECTS

August 8th, 2025

Even though books are accessible online and you can read them on your computer and phone at any moment, anywhere, there is something seductive and appealing about spending some quality time in a beautiful space reading.  To walk into the main reading room at the Morgan Library, where the books line the wall, is wonderful.  It's a treasure hunt to uncover what lurks behind.  Admittedly, it took half a century from the time the New York Public Library was first landmarked for the New York City Landmarks Commission to get around to designating the Reading Room and the Catalog as interior landmarks; at least it finally happened.  

Consider the world outside a museum. This is a gallery guide which would tell you about the buildings and artworks you find around you. Explore buildings of the past, present and future. Look at the vast selection of artwork that graces the public realm. And discover how places have evolved over time. Deconstruct the layers of history that form the fabric of our urban landscape. Meet people who have made their mark on our cities and country who have lived in the past or are living now. Listen to their voices. Take (or make) a tour. 

Our curators are the artists, architects, photographers and historians who created the images, podcasts and videos to share their knowledge and insights. Our collaborators are museums, universities, cities, and civic organizations who are the stewards of our shared cultural history.

culture now
Photo © Library of Congress (LOC)
What Happened Here
1895 - How the New York Public Library Began In the 1930s, Mayor Fiorello H. La Guardia dulbed the twin marble tons guarding the New York Public Library on Fifth Avenue Patience and Fortitude. By any standard they would qualify as emblematic of a great cultural resource. But Michael Miscione, the Manhattan borough historian, has suggested something less photogenic but more transformative: Samuel J. Tilden's will. His bequest to establish and maintain a free public library in the city served, Miscione says, “to solidify the city's commitment to literacy, culture and a public-private partnership that enabled New York City to create so many world-class cultural institutions.”Tilden, the son of a patent medicine manufacturer, was a successful corporate lawyer, shrewd investor, political reformer, and anti-slavery Free Soil Democrat who would battle the abuses of Tammany Hall. He was elected governor of New York and in the disputed 1876 presidential campaign against Rutherford B. Hayes won a majority of the popular vote but lost the Electoral College (by one vote). "I can retire to public life." Tilden said, “with the consciousness that I shall receive from posterity the credit of having been elected to the highest position in the gift of the people, without any of the cares and responsibilities of the office.”New York had lots of libraries at the end of the nineteenth century, but most charged admission and were privately funded. Tilden left about $2.4 million (almost $100 million in today's dollars), the bulk of his fortune, to "establish and maintain a free library and reading room in the city of New York." The Tilden Trust was merged with the Astor (founded by John Jacob Astor, from his furtrading fortune and presided over by Washington Irving) and Lenox (founded by the bibliophile James Lenox) libraries in 1895 to form the New York Public Library. The consolidation- orchestrated by John Bigelow, a lawyer for the Tilden Trust-was hailed, according to the library's official history, as "an unprecedented example of private philanthropy for the public good." Six years later, Andrew Carnegie agreed to donate more than $5 million to establish sixty-five branch libraries under the proviso that they be maintained by the city government. (Brooklyn and Queens are served by separate library systems.)The New York Public Library's $9 million central research library, designed by Carrère and Hastings, opened in 1911 at Fifth Avenue and West Forty-Second Street on the site of the old Croton Distributing Reservoir. At the time, the beaux arts building was the largest marble structure in the United States. The original collection contained more than a million volumes; today it includes more than fifty million books and other items stored on-site, in stacks under Bryant Park and in a warehouse in Princeton, New Jersey. The New York Public is the second-largest public library in the United States (after the Library of Congress) and the world's third-largest. The central research branch has been featured in numerous films, notably Breakfast at Tiffany's, You're a Big Boy Now, and Ghostbusters, and in books, including The Rise of David Levinsky. Tilden never lost faith. Referring to his 1876 defeat, his epitaph reads: “I Still Trust in The People.”TEXT FROM SAM ROBERTS 101 OBJECTS
culture now
Photo © New York Post, A History of New York in 101 Objects
What Happened Here
Oct 26, 1809 - The Birth of Literary Hype The message at the bolton of the whird column of the October 26 1809 edition of the New York Evening Post ominously began with a single word: "Distressing." The following two paragraphs amounted to a missing persons notice, informing readers that a "small elderly gentleman, dressed in an old black coat and cocked hat," had left his lodgings some time ago and "has not since been heard of."The advertisement cautioned that, "as there are some reasons for believing he is not entirely in his right mind and as great anxiety is entertained about him," any information about him would be appreciated at "the Columbian Hotel on Mulberry Street." The ad ended with a postscript: "Printers of Newspapers would be aiding the cause of humanity" by republishing the notice. Subsequent notices elaborated that the missing man, named Knickerbocker, had been spotted by passengers on the Albany stagecoach near Kings Bridge, holding "a small bundle tied in a red bandana," and that he had left in his lodgings "a very curious kind of a written book" that the hotel proprietor would have to sell to collect his back rent. True to his word, the proprietor published the book on December 6, 1809. Humanity undoubtedly benefited from the discovery of Diedrich Knickerbocker's book, History of New-York, from the Beginning of the World to the End of the Dutch Dynasty, but the chief beneficiary was Washington Irving. Under the guise of his narrator, the fictional Knickerbocker, Irving not only fertilized New York's Dutch roots for a city struggling with its own identity; he also helped establish the city as a cultural mecca. At the same time, he perpetrated a fabulous literary hoax that became a paradigm for public relations in the publishing industry.In 1809 New Yorkers were celebrating the bicentennial of Henry Hudson's voyage of discovery, but were still suffering an identity crisis after the Founding Fathers had transplanted the nation's capitol to the Potomac. Irving supplied that identity. As a cleverly satirical twenty-six-year-old, he supplanted the dominant Yankee hierarchy and created a brand that would be perpetuated over the course of two centuries in beers, hotels, baggy-kneed pants, and a heartbreaking basketball team.Irving's Knickerbocker, whose surname name was borrowed from an upstate family, provided the historical foundation, real or imagined, on which the New York mythos would thrive (Irving also popularized St. Nicholas, chimney and all) The "shabby and superior, iconic and intellectual, purveyor of 'fake history' nearly two centuries before Jon Stewart" was Irving's vehicle, wrote his biographer, Elizabeth A. Bradley. Irving, she added, was "not just the first writer to identify and exploit the market," but "his narrator became a market in and of itself." It was also Irving who in 1807 bestowed on New York the nickname "Gotham," after the fabled English village whose ingenious inhabitants behaved so bizarrely in the early twelfth century that, rather than expropriate the townspeople's property, King John and his tax collectors bypassed the place altogether. (No reflection on out-of-towners, but the town inspired this immortal truth: "More fools pass through Gotham than remain in it.") "What constitutes a New Yorker?" a New York Times headline inquired in 1907, a century after Irving's history was published. The article was illustrated with an oversize portrait of Father Knickerbocker.TEXT FROM SAM ROBERTS 101 OBJECTS
PLACES OVER TIME
New York Public Library, Manhattan Central Branch

The Stephen A. Schwarzman Building, commonly known as the Main Branch or the New York Public Library, is the flagship building in the New York Public Library system and a landmark in Midtown Manhattan, New York City. The branch, one of four research libraries in the library system, contains nine separate divisions. The structure contains four stories open to the public. The main entrance steps are at Fifth Avenue at its intersection with East 41st Street. As of 2015, the branch contains an estimated 2.5 million volumes in its stacks. 
 

Exhibition space just behind the lobby. another exibition space on the third floor-- of the collection of prints and rare manuscripts

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